Paule Marshall

March 20, 2009


“I grew up among poets. Nothing about them suggested that poetry was their calling. They were just a group of ordinary housewives, my mother included — the basement kitchen of the brownstone house where my family lived was the usual gathering place. Once inside the warm safety of its walls the women threw off the drab coats and hats, seated themselves at the large center table, drank their cups of tea or cocoa, and talked while my sister and I sat at a smaller table over in a corner doing our homework, they talked- endlessly, passionately, poetically and with impressive range. No subject was beyond them.


When people at readings and writers’ conferences asked me who my major influences were, they are sometimes a little disappointed when I don’t immediately name the usual literary giants. True, I am indebted to those writers, white and black, whom I read during my formative years and still read for instruction and pleasure. But they were preceded in my life by another set of giants whom I always acknowledge before all others; the group of women around the table long ago-this is why the best of my work must be attributed to them; it stands as testimony to the rich legacy of language and culture they so freely passed on to me in the wordshop of the kitchen.” —The Making of a Writer: From the Poets in the Kitchen

More about the author…


Recent New York Times interview

“There is so much in the West Indian culture that has that African flavor,” she said. “This is my attempt to get a fuller picture. We need to see the triangular nature of our inheritance and our place in the world. I think that’s what Obama suggests in his person and what people saw in him.”


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